SILVERSTEIN

For Silverstein’s album Antibloom, I had the chance to explore a collage-driven style that I’m particularly fond of working in. Pulling from vintage magazines, I was able to compile scenes that really complemented the music and the desert setting where it was recorded. The band tracked the album in the California desert, and that environment became a key influence on the artwork—we leaned into its textures, tones, and sense of isolation. I especially appreciated the opportunity to incorporate the various die cuts, which added depth and a layered, tactile quality to the physical release. Collaborating with the band was a pleasure from start to finish; their openness and enthusiasm made the creative process genuinely fun and rewarding.